![]() But I would probably put this down to me not quite using the right settings properly and simply getting used to the software. I did some more tests on different images and like most pieces of software of this nature, I got mixed results. Generally you would get some halo residue from the sky from a shot like this, but there is no evidence this at all. The most important thing being that it looks natural and giving the impression that it was potentially shot like that on white with no really obvious tell tale signs that it has been retouched or cutout. Blending very nicely with no real visible hard edges. As you can see, it has retained a lot of the detail both in focus and out of focus. The images below I’ve zoomed into the hair area for a closer look. After watching a few brief tutorials, I cutout my own shot (below left) in around 10 minutes, something of a record for me on an image like this I would have to say. Notoriously difficult getting the detail in and around the fine hair, showing through a new background colour. You can see my original image below right, she has plenty of fly-away hair on a neutral background. For the sake of the exercise, I cropped in and around the hair area. For my own test, I chose a reasonably difficult and perhaps typical image. To help with this, they have included some step by step instructions and video tutorials on their website which covers the basics and then moves into complicated backgrounds and some specialist cutout tutorials for hair, trees & leaves and also even the incredibly difficult cutouts of smoke. Despite it being married with Photoshop, the tools it uses are quite different. You don’t need a PhD in retouching to use it out of the box, but it is a bit of a learning curve. Like any new piece of software, it takes a bit of time to get used to, and FM3 is certainly no exception. I hadn’t used it’s predecessor FM2 before, but I had heard good things from colleagues in the past and therefore had high hopes for FM3 to be refined and developed enough to hopefully sort out all my cutout requirements. I have seen and used various software packages that boasted to ‘revolutionise cutouts forever’, but sadly despite having merit in some areas, they failed to completely live up to their own hype. I was all too eager to try out any software that was going to potentially make my life easier in this department. Cutouts are generally regarded as being a fairly painstaking and a fiddly process particularly with imagery that include things like trees and hair. I spent 18 years in the graphic design and print industry and I couldn’t even begin to think how many cutouts I have done in that time. It’s essentially a plug-in for Adobe Photoshop that assists in doing cutouts. I was asked to have a look at piece of software called Fluid Mask 3 made by Vertus. In a streamlined interface and workflow, Fluid Mask 3 instantly shows key edges in the image and provides comprehensive easy to use tools that work with difficult-to-see edges and tricky areas like trees & lattices.It is reviewed here by regular contributor and professional fashion photographer, Nathan Pask of Our Review of Fluid Mask 3 I on Windows 10.Fluid Mask 3 is designed for photographers, image editors, graphic designers and all those who take digital image editing seriously. Thanks for any recommendations for replacement software. Fluid Mask did a pretty good job separating out the hair. So I usually don't have much contrast between hair and background. What standalone software are people using to extract subjects from backgrounds that can handle complex areas of the photo such as hair and branches of trees? Also I don't usually have the luxury of choosing backgrounds to create a high contrast between my subject and the background. ![]() I infrequently use masking software and prefer to buy a licence (the last time was almost a year ago on the previous laptop). ![]() I tried Topaz AI but it's on a subscription basis. However the techniques involve many steps and the results aren't as good as what I got with Fluid Mask. There are some techniques using Affinity to extract a subject (in my case usually people where the hair poses a challenge). My photo editing software is Affinity Photo. It was working fine on a previous laptop but now I have a new laptop and the Vertus activation server is not working so I can't register the software on the new laptop. Sometime since then Vertus stopped sales and support of Fluid Mask. The last discussions on Vertus Fluid Mask 3 were in 20. ![]()
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