![]() ![]() You paragraph should be no longer than fifteen lines, and should expand upon your logline by providing enticing details about the WORLD of your show, the SEASON-ONE ARC, and key SUPPORTING CHARACTERS. When people around the world begin to develop superhero powers, an ill-equipped twenty year-old must race against time to save mankind from an apocalyptic end.Īfter losing his winning lottery ticket, 30 year-old Earl decides he is the victim of bad karma, and dedicates himself to righting every wrong he’s ever committed.įollowing her husband’s unexpected death, suburban mom and upright citizen Nancy Botwin embraces a new profession: neighborhood pot dealer.Īfter your logline, your pitch package should include a ONE PARAGRAPH overview of your entire show. Here are some examples for shows you might recognize: It is written in beginning-middle-end format, and shorter is better. This is your opportunity to present your show’s HOOK and to inspire producers to flip eagerly through the next four pages of detail.Ī logline is a summary of your ENTIRE SHOW CONCEPT captured in just one or two well-formed sentences that tells your readers WHO the main character is, WHAT the show is about, and HOW the main conflict of the show might be resolved. If your logline comes off as dull or meandering, no one will care about the rest of the pitch. The logline is the most important part of any pitch package, and you want to make you completely NAIL IT. For example:įormatting and punctuation idiosyncrasies don’t matter. Your heading should include your show’s TITLE, the show’s LENGTH and GENRE, and the AUTHOR’S NAME(S). Your heading should be centered or justified left on the top of your first page, and should not take up too much space. Your pitch package should include the following elements:ĭon’t use a separate title page. They should be single-spaced and typed in a common font, such as Time New Roman, Helvetica or Arial, and should always include PAGE NUMBERS. Pitch packages should run NO LONGER than 3-5 pages. Spend time getting MORE SUBSTANCE packed into LESS SENTENCES, and you’ll be headed down the path to a winning pitch package. ![]() If execs read your pitch package and care enough to ASK YOU SOMETHING about it, you’ve just hit it out of the ballpark. You want to provide readers a thorough understanding of your show and let them know why it totally rocks, but you do NOT need to answer every question. However-some ways are better than others, and I’ve outlined a format below that MANY television companies are using today. There is no correct way to structure a pitch package. Whether it’s to curry the interest of production companies, copyright your idea, or efficiently develop your show with an interested party, you will need your pitch typed up and ready to be sent out at a moment’s notice. However, there are many situations in which you will need a document that outlines your pitch in written form. Television PITCHES are still done the old-fashioned way-verbally, in the room with television executives and/or producers. ![]()
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